Unlocking a new skill -- soap!

A friend recently ran a get-together that involved making soap.  Yes, from lye and oils and fats and stuff like that.  This friend has been a professional maker and seller of soap, so it felt like quite a privilege as well as a wonderful introduction into this ancient technology.

After pouring our saponified goo into molds, we let it sit for a few weeks, then cut it into smaller bars.  It's still quite soft!  Now it gets to sit for another month or two to finish curing.

When we first cut the bars, there was quite a cross-sectional color variation, from brown on the outside to greenish-cream in the middle.  Now, a few days later, the color variations are evening out to various shades of cream and brown.

The above bars (the square ones) have clay added.  I like the swirls, though we'll see how it looks after curing.

The round bars have various scents added.  The molded hexagonal bars and all of the bars with clay added are unscented.

I'm looking forward to future adventures in soap making!

More spinning -- Debouillet!

I have finished spinning a 4-ounce batch of Debouillet roving.  It seemed to be taking a long time.  I understand why now.  The 4 ounces of Debouillet (give or take a bit) yielded about 665-670 yards of 2-ply yarn.

The roving had some VM and a few neps and noils.  But it drafted beautifully.  It was relatively short-stapled though not excessively short, very fine and soft, and kind of sproingy/bouncy, a bit like merino though lacking its cottony texture and more like Rambouillet.  Well, duh -- the Debouillet breed of sheep was started with a Rambouillet-Merino cross.  (The Delaine Merino, to be precise, thus the name Debouillet.)

I've spun Debouillet before -- a bit of brown roving that gave me 365-ish yards of a somewhat shiny 2-ply from about 3 ounces of roving.

The white yarn I just spun is more matte than shiny, even though both rovings were from sheep of the same breed.

Dunno what I'll do with the yarn.

I'm not sure what I'll spin next, but hopefully the default yarn from that future batch won't be so fine!  (Default yarn meaning the yarn I naturally spin without having to think about it, which is a function of the roving and the wheel and my mood, but mostly the roving and its drafting friction and how that interacts with the wheel I'm using to spin it.)  I don't mind having fine yarn, but it takes longer to spin than thicker yarn.  And sometimes I want that quicker gratification.  I don't really want to engineer my yarn, either, since I spin for the sheer enjoyment of it rather than to create a specific yarn.  I like zoning out as I spin rather than counting treadles and continuously referring to a reference sample for thickness and all those other things needed to create a consciously designed yarn.

A bit of spinning -- Lopez Island Romney X

I finally spun the Romney-X roving I bought last autumn at Oregon Flock and Fiber.  I ended up with about 375 yards of 2-ply, so rather a bit thinner than the 250 yards of 2-ply I spun from the previous year's Romney-X roving.

It's pretty.  It drafted well.  It was fairly clean, very minimal VM that was easy to pick out.  It was an enjoyable spinning experience, which is pretty much all I ask for most of the time when I sit down at a wheel.  It's a nice medium heathery gray, in case the color in the photo isn't clear.

The vendor I got it from is Island Fibers, from Lopez Island in Washington.  The first time I bought from them, I think they said that this was milled by Skagit Wool.  They said it was from the local sheep, who had mostly Romney genetics with random other breeds in the gene pool.  Whatever it is, I like spinning it.  I have no idea if what I bought last fall is from the exact same bump as I had bought from the previous year, or if it's a new batch from a later clip.

Part of why I spun this is because I got inspired -- I went to Black Sheep Gathering with some friends last weekend.  It was fun.  It didn't seem to have as many people and animals and vendors as I had remembered, but it's always possible I'm getting it confused with Oregon Flock and Fiber since both are in the same location and are similar in a lot of ways.  Or it's just completely random and the day/time I went are not as busy as other days/times.

As always, it was great to see the critters and explore the vendors' offerings, and as always, it's great to run into friends and acquaintances while I'm there.

This time I bought some horned dorset roving, about 4 oz.  I asked the vendor, and they said it's somewhat resistant to felting, which is what I'd heard is a breed characteristic.  So maybe I'll make socks from this.  Or something else that I don't necessarily want to felt easily.  I've spun roving from crossbred merino-dorset, but not purebred dorset.  It should be interesting.

I brought some handspun over to a friend who weaves.  It'll be their first time weaving with handspun.  I look forward to the results.  If it works out, I'll bring over more.  I love using my handspun, but I don't mind if some of it gets used by other people.  Also, maybe it'll inspire me to weave some of my handspun in addition to knitting with it.

There's not much to report on the knitting side of things.  My slowly growing projects are slowly growing and I haven't started (or finished) anything new.  I've been doing a lot of tablet weaving and braiding and what-not, but I don't really write about those things in this blog.

Hmm, what shall I spin next?  Or knit, for that matter?  Though I really do want to finish the sweater I started last year, so the recipient can wear it later this year.  For spinning, I have a bunch of 4 oz batches of roving bought at various fiber festivals as well as some larger batches.  Hmmm.

Musings about Spinning Wheels -- a reproduction wheel from the former USSR

This wheel showed up on craigslist, within a reasonable driving distance and in my price range.  So I got it.

The seller had bought the wheel used many years previously.  She was upgrading to a more modern wheel from a currently active manufacturer and no longer wanted or need this one.  She knew nothing more about the wheel beyond "it works".  I don't remember if there was a driveband on it or not, but since most of the time I end up needing to replace the driveband anyway, that didn't bother me.

I had no idea what the wheel was, so I asked around.

Someone on Ravelry found its twin:  "See SPIN-OFF Magazine Winter 1991 Edition, Page 79, “Spinning Wheel Treasures From Europe Part 1- Horizontal Wheels” by Sharon Hudgins. The wheel is identified as a Russian (Soviet Union at that time) made wheel she purchased in 1984 in Prague, Czechoslovakia."

A few other people soon posted on Ravelry, showing photos of wheels that were very similar.  The author who wrote the Spin-Off article had purchased her wheel in a state-run crafts store that was meant to show off traditional craftsmanship from Russia, I believe.  And given that some other people have similar wheels, there were apparently a lot of them for sale throughout the former USSR and Eastern Bloc countries.

Fun!  So apparently the US isn't the only country that was having a fad for reproduction spinning wheels in the 1970s and 1980s.

This is a very silly wheel but I adore it.  What's silly about it?

It came with four bobbins.  But only one of them works with the wheel.  The other three are too big.  My guess is that a previous owner had some extra bobbins made but the dimensions weren't quite right.  Metric vs US?  Differences in shrink/swell of American vs Czech/USSR wood?  A bit of mis-measurement and/or lack of precision when they were commissioned?  No idea!

The bobbin comes off by unscrewing the metal shaft from the flyer.  I don't think I've ever seen that kind of thing in any other spinning wheel, not that I've seen a lot of spinning wheels.  However, now that I know the other bobbins won't fit, I don't bother changing it out.  I just unwind the spun yarn onto a storage bobbin and go from there, like I do with other wheels that have just one bobbin and/or that have bobbins which are a pain to change out.

The orifice hook is a handmade thing that was undoubtedly added after.  Since most older wheels don't have orifice hooks at all, this isn't a problem.  There's a pretty handmade clay bead that serves as the handle.

The treadle is a narrow board, narrower than many people's feet.  It works perfectly well, though.

The distaff is a different wood from the rest of the wheel.  And as with my other reproduction wheel, it's not that stable and thus not that useful.  I don't use it.

The wheel isn't particularly fast -- I think it's around 1:10 or so -- but there's something about it that keeps me coming back to spin on it for just a little bit longer.

I have no idea if this was made to be a spinning wheel or just a decorative piece.  There are a lot of wheels from that era that were made to be decorative.  Some aren't able to spin.  But some, especially those that were copied from extant pieces, actually do spin, often quite reasonably well.  This one falls into the functional category, whether accidentally or on purpose.

I don't use it often, but it's always a lot of fun whenever I do use it.

Fun with natural dyes

The colors on my pics and on the screen aren't quite right (not rich enough), but it still conveys a lot.

This is my share of the dyed goods from a natural dyeing session I did with some friends last weekend.

My skeins are wool, roughly 100g each, roughly fingering weight.  My friends had their own skeins along with some pieces of fabric in wool and in linen.  It totaled up to I don't know how many pounds/kilograms of stuff.

The wool was mordanted a few weeks ago with alum and cream of tartar.  We weren't hugely consistent in our mordanting technique, as I wrote about in a recent post.  But as you can see, everything took the dye quite well.  The linen, since it wasn't mordanted, was destined for the indigo pots.

The yellow is from marigolds.  One of the group grew marigolds last summer and froze a bunch of flowers.  The dye was extracted with a long simmer and the petals strained out.

We weren't too careful in our dyeing technique.  Mostly, people wetted the yarn/fabric, dropped it in the pot, stirred it a bit, then after a little while took it out, wrung out excess dye, and hung it up to dry.  Then someone else would put something in the pot, etc.

Much later, after we got our stuff home, everything was rinsed.

Anyway, the first yellow that came out of the marigolds was a rich color -- sort of a bronze-y mustard-y russet-y yellow.

Mine is more of a lemon/banana yellow.  Later things dyed were even lighter yellows.  We didn't do any ammonia/water afterdips (or any post-mordanting, or anything at all, really) to modify colors.

The oranges are madder.  We meant to add calcium but forgot, so ended up with more orange than red, though one of my skeins (which was in the dyebath longer) has some areas that are more red.

The blues are all indigo, though the lightest one (next to the orange madder skeins) was dyed light yellow before it had a quick dip in the indigo.

I was trying for an indigo gradient, both with repeated dips (for darker colors), and quicker dips, and dips at various portions of the afternoon, in hopes that lighter colors would happen as the indigo got exhausted.  Well, it never really got exhausted, apparently!  We used indigo extract and will take that into account for our next dye day.  Ditto for the madder pot, which also used extract rather than us prepping whole roots, and which was still giving excellent color all the way through the day.

I wonder if part of why the indigo hit so quickly and well was due to the skeins being mordanted?  Dunno if that makes a difference for indigo.

We will probably get together again for more dye days, both natural and synthetic dyes.  We're also considering a weed walk, where we go after invasive/noxious weeds and plentiful non-noxious weeds to acquire materials for our dyepots.  We'd still use indigo and madder extracts, but we should be able to get a range of yellows and browns and russets/olives etc. from the local flora.  We'll see.

Rinsing off was rather messy.  I still have indigo on my fingernails since I wasn't wearing gloves when I rinsed them.  I did wear them during the dyeing.

I'm not sure what I'll do with my dyed yarn.  Tablet weaving, maybe?  Or other weaving?  Give them away to friends?  Dunno.  One of them (not pictured above) already went home with one of the other dyers, since that person has some Ideas of Things To Try..

Anyway, much fun was had.  It's been a long time since I've done much natural dyeing.  It's always more fun to do dyeing with friends.

A finished item! (the crocheted charity baby blanket)

Ooh, a post for May!  And it's an actual blog-related accomplishment!

The baby blanket I've been working on for a while is finished.  I handed it over before measuring the amount of yarn I used, but at least I got a photo!

It took a while to decide on an edging.  I ended up doing two single crochets in each gap all the way around, and then did a round of reverse crab stitch (putting the hook between the single crochets of the previous round because I'm lazy that way).

It still slightly ruffles, but it's better than some of my other attempts at a border, which either ruffled or pulled in or both (ruffle on the sides, pull in on the ends, or vice versa).

It's small, probably less than 30" square, but reasonable enough.  And it's pretty cute.

I like the variegation combined with the texture and the slight bling of the mylar.  Hopefully the recipient will like it, too.

I could have taken more yarn for another baby blanket, but I took some darker blue acrylic instead and will knit another hat or two for either this charity or a different charity.  Then maybe I'll do another crocheted baby blanket.

(The blanket is going to a local organization that works with women and children.)

My pink shawl is continuing to make progress, yay!

My green sweater is not, boohoo!

And I haven't yet started another project in any of the crafts that I write about on this blog.

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I did get together with friends last week to mordant some wool for an upcoming natural dye day.  We just did alum plus cream of tartar.

Since we all had different backgrounds in dyeing, we all had some different experiences with quantities.  How much alum and cream of tartar does one need?  What is the actual procedure for mordanting?  If you want to refresh a mordant solution to mordant additional goods, how much do you need to add to refresh?  Which alum, in particular, since different chemicals in the same family may share the name "alum" when we go to buy them?

It turns out that there are many answers to these questions.

Which means that it's a pretty forgiving process.

And I guess we'll see what happens when we do Round 2 -- Dye Day!

The longer answer is that every good dyeing book and reputable website (reputable meaning that they sell dyes and mordants and aren't just AI hallucinations or twee misinformation from people without much experience) has a slightly different method with slightly different percentages and what-not.

Anywhere from about 5-20% WOF is suggested for alum, with many clustering around 15%, and with several sources warning that too much (i.e. over about 20%) will mess up the wool.  The percentages weren't significantly different for the different types of alum that are commonly found through natural dyeing supply shops.

Cream of tartar is used to acidify the bath and reduce chances of stickiness and is usually suggested at around 5-6% WOF (and often said not to be necessary or desirable for mordanting silk).

Refresh amounts range from one-quarter to one-half for the alum, with no refresh needed for the cream of tartar, and some also suggested using a hydrometer to calculate appropriately.  Some said to discard the bath if it got cloudy or had precipitates in it, while others said it made no difference.

Time and temperature were all over the place, though all agreed that keeping the bath at a simmer or below was preferable.  Some suggested that the goods should simmer for anywhere from 20 minutes to an hour and then cool in the mordanting bath overnight, while others didn't seem to care.  Some people had good luck with room-temperature mordanting (a cold soak of several days to a month) while others didn't.

I have heard that the post-mordanting treatment can affect the results, too.  Do you dye right away?  Keep the skeins damp (but not moldy)?  Let them dry and store them?  Put them in the refrigerator or freezer?  I have no idea what effect, if any, these variables would have on the dyeing.  We won't be dyeing for at least another week, so we know these particular skeins will be stored for a while before getting dyed.  I don't think we have enough dyestuffs to require us mordanting up anything more for this round.  And I don't recall anything weird from former dye days where we mordanted in one pot, pulled the skeins out of the mordanting bath, and then dropped them into the dyebath.  So who knows?

I am not a professional dyer and don't care if I have a fully repeatable process or get any specific colors.  As long as I end up with interesting and colorful yarn (or cloth or roving) at the end, I'm fine.

More of the same

I'm still working on the same things as last month.  Progress?  Yes, some.  But not sufficiently different to provide photos.

The center of my crocheted baby blanket is finished.  Now on to the edging!  Two dcs in each hole (starting along one side) doesn't have the right tension.  I'll try 3, and if that is too much, then I'll alternate 2 and 3.

The pink Miami Vice shawl is making progress, too.  I'm still in the last section of lace.  Once I've done all eleven repeats, I'll decide whether to grow the shawl a bit more or to bind off, and also how I want to bind off.

The sweater sits, alas, taunting me.

And no new doilies are on the needles!  Nor any other knitting!  Nor anything on the rigid heddle loom, nor a spinning wheel.

It's been a hard winter, for many reasons, and that has spilled into spring.  Hopefully things will settle down enough that I can be productive again soon.

Time for another progress report!

 I haven't posted since last month, yikes!

Knitting and what-not is still happening, though I've been very busy with things unrelated to having fun with fiber.

I haven't started any new doilies yet.

My travel shawl is still growing.  I'm on the second (and final) ball of yarn.

I'm not sure how much of it will get used as I finish up the actual pattern.  Then, once the pattern (as written) is finished, and if there is yarn left, I'll need to decide what to do.

I could grow the pattern a bit more -- add another band or two in the same style.

I could add a sideways-knit lace border.

Or, if there's enough yarn left, call it good, and then make a pair of socks or fingerless mitts.

I have no idea how large the shawl will be once it's blocked.  It's kind of a weird little shoulder-sized poncho thing at the moment.

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My sweater has had close to zero progress since the last time I wrote about it.  Hopefully I'll return to it soon since I'd like to get it done.

No pics, because what's the point?

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I have started a new project, though!  It's a crocheted baby blanket.  A friend of mine ended up with a stash of acrylic baby yarn, and asked all of us if we'd like to take some yarn to make baby blankets.  The blankets are destined for a local shelter that serves women with children.

I'm holding two yarns together.  One is something like Woolease, mostly acrylic with a bit of wool, in white with a bit of mylar.  I can't resist the sparkles.  The other is some skinny boucle-ish thing in shades of green and yellow.

I'm doing a very simple pattern.  Chain a likely number of stitches.  Then, all rows are dc, ch1, with the dc going into the space of the ch1 of the previous row.  Once the blanket is roughly square, I'll probably do a round or two of dc for the edging, estimating how many dcs will be needed so that nothing ruffles or binds, and then maybe a round of crab stitch to finish off.  If I'm feeling it, I'll switch to a different yarn for the edging -- that same boucle yarn but in yellow rather than green-and-yellow.

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I went to the first local fiber fair of the season this month.  I hadn't intended to buy anything, but, well, 4 ounces of a pretty gray Romeldale roving followed me home.  It's a blend from several different sheep, white and dark, which overall reads as a medium gray.

I guess I'll need to drag out a spinning wheel and do some spinning in order to keep my fiber stash at steady state or better!

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So there's my relatively meager progress report for the past month or so.

Lavori 07/15

 Lavori 07/15 is finished!

This is an 80 round doily (plus crochet cast-off), 8 pattern repeats per round (and 16 PR/rnd in the outer rounds).  The chart is NOT error free.

Chart Errors:

Round 51:  Towards the end of the repeat, there is a | symbol that should be a double-decrease instead.  It's fairly obvious.

Rounds 57-59 end up having an issue, but it's easily fixed.  Instead of what's charted, do the following:

Round 57: (yo, k1b, yo, k3) all the way across.  (This is how it's charted, but the chart omits one repeat, which ends up affecting how to chart round 59)

Round 59: (sk2p, yo) all the way across  (you could do yo, sk2p instead of sk2p, yo, though that'll affect the next error fix)

And somewhere before round 65:  K 6 more stitches at the end of the round before beginning the next round, so that the first stitch of round 65 is directly over the sk2p of round 59.

This was a reasonably fun doily to knit, though it had way more stitches than seemed necessary by the end.  Perhaps it would have been better doing this with either 6 or 7 pattern repeats per round instead of 8.  Dunno if that would have worked well enough, though, since the number of stitches in the early rounds is just about right.  It's the later rounds where things go wild.

I think it is probably a Herbert Niebling pattern, and if not, then it's a design by someone who used motifs that are characteristically Niebling-esque.  Whatever.  It's a cute doily no matter who the designer was.

The thread was from the thrift store vintage stash.  It was 300 yards of something that seemed like it was roughly #30 in weight.  I ran out in the middle of round 79.  Luckily, the leftovers stash yielded some DMC Cebelia that was sufficiently similar, whew.

Hmm, what doily shall I tackle next?  There are a few more small doilies in Lavori 7 that could be quick to knock out.  There's the old French language non-charted text-only doily I've mentioned before, clearly a Niebling design, that could be interesting to puzzle out.  I could pick another big pattern, or do some designs by Erich Engeln or Christine Duchrow or Marianne Kinzel or one of the other greats.  I guess I'll see what appeals, and also what thread I feel like using.

Other than finishing Lavori 07/15, I've been slowly working on my Miami Vice shawl and my Appledore gansey.  There's not enough progress to be worth sharing.  I've mostly been busy with other things.

A new year, a new doily (and a new post!)

This is another doily in Lavori 7.  This one is Figure 15 Sottovaso.  It has 80 rounds and, as you can see, 8 pattern repeats per round with 16 pattern repeats per round in the outer part of the doily.

It is very silly looking.  So I decided I wanted to make it.

It might be a Niebling pattern, given those outer sets of fans, and also given the silly stuff that happens early on in the doily.

The early doily has several rounds of twisted stitches, which isn't all that unusual, I suppose.  I twisted them in the intermediate rounds since it helps define the columns so well.  And then the columns of twisted stitches turn into columns of crossed stitches.  That (complicated stuff early in the doily, including crossed stitches) is more commonly found in Niebling designs than in patterns known to be created by other designers.  So maybe.

The outer sets of fans are the thing where two or three fan motifs are next to each other with a double yarnover between the fans, as I did in the Lavori 07/30 doily and many others.  As far as I can tell (i.e., from a quick glance), there are no rounds that begin and end with yarnovers.

I rummaged through my collection of vintage threads and found something that might be #30, and, if it's a full rather than a partial ball of thread, might have about 300 yards.  If that's not enough, I found another partial ball (I am nearly 100% sure that's it's partial) of similar-weight thread in a color that's not too different.  I don't care if the outer rounds are slightly different in color from the earlier rounds.

Yesterday was the cast-on day.  Fun fun!

As often happens, I get tired of dpns somewhere in the early slog and try to move to a circular needle a little bit too soon.  So the next few rounds were a bit annoying, as I used variations on the two-circulars and the magic-loop methods until I had enough stitches, and more importantly, enough diameter, to fit on my circular with no more fuss.

I don't always end up doing that, but really, I should know better.  But the dpns kept trying to slither out of the knitted stitches, and it was annoying doing crossed stitches and horizontal-running-thread increases and I wanted to be done with the dpns.

I don't have high hopes for this doily given it's less than well defined motifs in the pic above, but we'll see.  Once I get past the section with so many crossed stitches, the rest seems relatively straightforward and hopefully a bit quicker to knit.

Then I can ruminate on what doily project I might feel like tackling next.

My sweater is growing again -- I'm knitting the back above the armhole.  I'm still vaguely dithering about whether I want to put a couple of short rows in there somewhere.  Quite possibly.  Then I can do the front, and I'll probably do a dropped area in the middle to shape the neck area.  Then the shoulder straps!  Those will require a bit more dithering, too.  I also have to decide how many inches to knit for the front and back before the shoulder straps so that the sweater will fit well and so that the sleeves will have a reasonable number of stitches.

My travel shawl is continuing to grow, too.  Soon I'll be done with the current set of eyelets.  Then it'll be time for another round of increases.  I'm getting close to the end of the first skein of yarn.  It's a bit soon, but I'm already thinking a bit about ways to make the shawl bigger if I still have a lot of yarn left after the official pattern reaches its end.

And that's it for this post!